Life After Parties or Grasshoppers’ Autumn

Kaspars Vanags. Depression. 2010. Oil on canvas. 90 x 80 cm.

Miķelis Fišers explains the series of Life After Parties Or Grasshoppers’ Autumn giving autobiographical insight: "These slightly ironically sad portraits of my friends and confederates tells a lot about our second life or life after the good life, after our absolute nineties, in which the end of the world failed to arrive and one had to accept idea that life goes on." Exhibition with the same title was held within Art Festival Survival Kit II and Contemporary Art Forum White Night, 2010.
Astral Plans of Pēteris Ķimelis. 2010-2012. Oil on canvas. 90 x 80 cm.

Miķelis Fišers explains the series of Life After Parties Or Grasshoppers’ Autumn giving autobiographical insight: "These slightly ironically sad portraits of my friends and confederates tells a lot about our second life or life after the good life, after our absolute nineties, in which the end of the world failed to arrive and one had to accept idea that life goes on." Exhibition with the same title was held within Art Festival Survival Kit II and Contemporary Art Forum White Night, 2010.
Lost in Vast Cloaks of Mexico-City. Self-portrait. 2013.Oil on canvas. 40 x 50 cm.

Miķelis Fišers explains the series of Life After Parties Or Grasshoppers’ Autumn giving autobiographical insight: "These slightly ironically sad portraits of my friends and confederates tells a lot about our second life or life after the good life, after our absolute nineties, in which the end of the world failed to arrive and one had to accept idea that life goes on." Exhibition with the same title was held within Art Festival Survival Kit II and Contemporary Art Forum White Night, 2010.
Despair in Kharkiv I. 2010. Oil on canvas. 55 x 45 cm.

Miķelis Fišers explains the series of Life After Parties Or Grasshoppers’ Autumn giving autobiographical insight: "These slightly ironically sad portraits of my friends and confederates tells a lot about our second life or life after the good life, after our absolute nineties, in which the end of the world failed to arrive and one had to accept idea that life goes on." Exhibition with the same title was held within Art Festival Survival Kit II and Contemporary Art Forum White Night, 2010.
Despair in Kharkiv II. 2010. Oil on canvas. 50 x 40 cm.

Miķelis Fišers explains the series of Life After Parties Or Grasshoppers’ Autumn giving autobiographical insight: "These slightly ironically sad portraits of my friends and confederates tells a lot about our second life or life after the good life, after our absolute nineties, in which the end of the world failed to arrive and one had to accept idea that life goes on." Exhibition with the same title was held within Art Festival Survival Kit II and Contemporary Art Forum White Night, 2010.
Despair in Kharkiv III. 2010. Oil on canvas. 50 x 40 cm.

Miķelis Fišers explains the series of Life After Parties Or Grasshoppers’ Autumn giving autobiographical insight: "These slightly ironically sad portraits of my friends and confederates tells a lot about our second life or life after the good life, after our absolute nineties, in which the end of the world failed to arrive and one had to accept idea that life goes on." Exhibition with the same title was held within Art Festival Survival Kit II and Contemporary Art Forum White Night, 2010.
Cone-Heading in the Time Tunel. 2013. Oil on canvas. 50 x 40 cm.

Miķelis Fišers explains the series of Life After Parties Or Grasshoppers’ Autumn giving autobiographical insight: "These slightly ironically sad portraits of my friends and confederates tells a lot about our second life or life after the good life, after our absolute nineties, in which the end of the world failed to arrive and one had to accept idea that life goes on." Exhibition with the same title was held within Art Festival Survival Kit II and Contemporary Art Forum White Night, 2010.
Pasha in the Garden. 2010. Oil on canvas. 50 x 40 cm.

Miķelis Fišers explains the series of Life After Parties Or Grasshoppers’ Autumn giving autobiographical insight: "These slightly ironically sad portraits of my friends and confederates tells a lot about our second life or life after the good life, after our absolute nineties, in which the end of the world failed to arrive and one had to accept idea that life goes on." Exhibition with the same title was held within Art Festival Survival Kit II and Contemporary Art Forum White Night, 2010.
Pavel Vladimirski. 2010. Oil on canvas. 55 x 45 cm.

Miķelis Fišers explains the series of Life After Parties Or Grasshoppers’ Autumn giving autobiographical insight: "These slightly ironically sad portraits of my friends and confederates tells a lot about our second life or life after the good life, after our absolute nineties, in which the end of the world failed to arrive and one had to accept idea that life goes on." Exhibition with the same title was held within Art Festival Survival Kit II and Contemporary Art Forum White Night, 2010.
Mārtiņš Ķibers. 2010. Oil on canvas. 55 x 45 cm.

Miķelis Fišers explains the series of Life After Parties Or Grasshoppers’ Autumn giving autobiographical insight: "These slightly ironically sad portraits of my friends and confederates tells a lot about our second life or life after the good life, after our absolute nineties, in which the end of the world failed to arrive and one had to accept idea that life goes on." Exhibition with the same title was held within Art Festival Survival Kit II and Contemporary Art Forum White Night, 2010.
Kaspars Vanags. 2010. Oil on canvas. 60 x 50 cm.

Miķelis Fišers explains the series of Life After Parties Or Grasshoppers’ Autumn giving autobiographical insight: "These slightly ironically sad portraits of my friends and confederates tells a lot about our second life or life after the good life, after our absolute nineties, in which the end of the world failed to arrive and one had to accept idea that life goes on." Exhibition with the same title was held within Art Festival Survival Kit II and Contemporary Art Forum White Night, 2010.
Fluchtschlaf. Kaspars Vanags. 2010. Oil on canvas. 50 x 100 cm.

Miķelis Fišers explains the series of Life After Parties Or Grasshoppers’ Autumn giving autobiographical insight: "These slightly ironically sad portraits of my friends and confederates tells a lot about our second life or life after the good life, after our absolute nineties, in which the end of the world failed to arrive and one had to accept idea that life goes on." Exhibition with the same title was held within Art Festival Survival Kit II and Contemporary Art Forum White Night, 2010.
Gints Gabrāns. 2010. Oil on canvas. 80 x 70 cm.

Miķelis Fišers explains the series of Life After Parties Or Grasshoppers’ Autumn giving autobiographical insight: "These slightly ironically sad portraits of my friends and confederates tells a lot about our second life or life after the good life, after our absolute nineties, in which the end of the world failed to arrive and one had to accept idea that life goes on." Exhibition with the same title was held within Art Festival Survival Kit II and Contemporary Art Forum White Night, 2010.
Vilks and Demons. 2010. Oil on canvas. 80 x 60 cm.

Miķelis Fišers explains the series of Life After Parties Or Grasshoppers’ Autumn giving autobiographical insight: "These slightly ironically sad portraits of my friends and confederates tells a lot about our second life or life after the good life, after our absolute nineties, in which the end of the world failed to arrive and one had to accept idea that life goes on." Exhibition with the same title was held within Art Festival Survival Kit II and Contemporary Art Forum White Night, 2010.
Gabrāns in the Garden. 2010. Oil on canvas. 80 x 60 cm.

Miķelis Fišers explains the series of Life After Parties Or Grasshoppers’ Autumn giving autobiographical insight: "These slightly ironically sad portraits of my friends and confederates tells a lot about our second life or life after the good life, after our absolute nineties, in which the end of the world failed to arrive and one had to accept idea that life goes on." Exhibition with the same title was held within Art Festival Survival Kit II and Contemporary Art Forum White Night, 2010.
Ilze Black. 2010. Oil on canvas. 70 x 60 cm.

Miķelis Fišers explains the series of Life After Parties Or Grasshoppers’ Autumn giving autobiographical insight: "These slightly ironically sad portraits of my friends and confederates tells a lot about our second life or life after the good life, after our absolute nineties, in which the end of the world failed to arrive and one had to accept idea that life goes on." Exhibition with the same title was held within Art Festival Survival Kit II and Contemporary Art Forum White Night, 2010.
Self Portrait in Simeiz. 2009. Oil on canvas. 40 x 50 cm.

Miķelis Fišers explains the series of Life After Parties Or Grasshoppers’ Autumn giving autobiographical insight: "These slightly ironically sad portraits of my friends and confederates tells a lot about our second life or life after the good life, after our absolute nineties, in which the end of the world failed to arrive and one had to accept idea that life goes on." Exhibition with the same title was held within Art Festival Survival Kit II and Contemporary Art Forum White Night, 2010.
Andrejs Kalnačs. 2010. Oil on canvas. 45 x 35 cm.

Miķelis Fišers explains the series of Life After Parties Or Grasshoppers’ Autumn giving autobiographical insight: "These slightly ironically sad portraits of my friends and confederates tells a lot about our second life or life after the good life, after our absolute nineties, in which the end of the world failed to arrive and one had to accept idea that life goes on." Exhibition with the same title was held within Art Festival Survival Kit II and Contemporary Art Forum White Night, 2010.