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    Blind Alien Commits a Self-Burial Attempt at a Pet Cemetery During Full Solar Equinox. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

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    Rim-Bon, Bim-Bon, Punks Get Along in London. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

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    The Defence Minister Demonstrates to the President the New Depederastization Module for the Doubles at the Main Cathedral of the Armed Forces near Moscow. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

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    Arcturians are Blinding the Gray Alien Charged Guilty of Stem Cells Theft. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

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    Avians Mock the Blind Alien near the Pyramid of Djoser in Egypt. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

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    Reptilians Rescue Kidnapped Humanoids from the Underground Tunnel System of Gaza Strip. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

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    Gray Aliens Hand Over to Americans the Formula of Coca-Cola. USA, Year 1886. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

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    Trunkoids Approach a Hypnotized Humanoid. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

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    Gray Aliens Kidnap and Mutilate Cattle at Skinwalker Ranch, Utah, USA. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

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    Gray Alien Avoids Sexual Harassment in the Prairies of Australia. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

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    Gray Aliens Commit Atrocities on Drug Addicts in a Children's Playground in Salaspils, Latvia. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

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    The Reptilian Injects First Implants to Volunteer Gamers Outside the UNESCO Headquarters in Paris. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

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    White Termites Chase the Blind Alien near Petrified Stumps of the Trees of Evil, USA. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

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    Gray Aliens Visit Abduction Victims at Psychiatric Hospital. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

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    Reptilians Distribute the Skeletons of Nephilim in the Dunes of Sahara Desert. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

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    Reptilians Revise the Collection of Crystal Skulls in the Cellars of Vatican. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

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    Gray Aliens Participate at the Opening of Cervixoid Hunting Season on Uranus. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

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    Blind Alien Enjoys an Experience of an Expanded Consciousness at a Stone Megalithic Structure on the British Isles. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

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The Stories of the Blind Alien

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    Blind Alien Commits a Self-Burial Attempt at a Pet Cemetery During Full Solar Equinox. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

  • img

    Rim-Bon, Bim-Bon, Punks Get Along in London. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

  • img

    The Defence Minister Demonstrates to the President the New Depederastization Module for the Doubles at the Main Cathedral of the Armed Forces near Moscow. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

  • img

    Arcturians are Blinding the Gray Alien Charged Guilty of Stem Cells Theft. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

  • img

    Avians Mock the Blind Alien near the Pyramid of Djoser in Egypt. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

  • img

    Reptilians Rescue Kidnapped Humanoids from the Underground Tunnel System of Gaza Strip. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

  • img

    Gray Aliens Hand Over to Americans the Formula of Coca-Cola. USA, Year 1886. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

  • img

    Trunkoids Approach a Hypnotized Humanoid. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

  • img

    Gray Aliens Kidnap and Mutilate Cattle at Skinwalker Ranch, Utah, USA. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

  • img

    Gray Alien Avoids Sexual Harassment in the Prairies of Australia. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

  • img

    Gray Aliens Commit Atrocities on Drug Addicts in a Children's Playground in Salaspils, Latvia. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

  • img

    The Reptilian Injects First Implants to Volunteer Gamers Outside the UNESCO Headquarters in Paris. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

  • img

    White Termites Chase the Blind Alien near Petrified Stumps of the Trees of Evil, USA. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

  • img

    Gray Aliens Visit Abduction Victims at Psychiatric Hospital. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

  • img

    Reptilians Distribute the Skeletons of Nephilim in the Dunes of Sahara Desert. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

  • img

    Reptilians Revise the Collection of Crystal Skulls in the Cellars of Vatican. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

  • img

    Gray Aliens Participate at the Opening of Cervixoid Hunting Season on Uranus. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.

  • img

    Blind Alien Enjoys an Experience of an Expanded Consciousness at a Stone Megalithic Structure on the British Isles. 2024, 21 x 29 cm, Canadian maple, paint, carving

    "The Stories on the Blind Alien"

    23.05.24 - 15.07.24 @ Maxim Boxer Gallery, Riga

    In the exhibition, artist offers viewers a glimpse into the tales of the Blinded Alien, which metaphorically explores power and cruelty, strength and weakness, lies and truth, and uncertainty in the face of the unknown.

    Since the beginning of his career, Fišers work has not been without virtuoso painting, but for the past ten years, the technique of woodcut has played an important role in his practice. In scenes, which are created on a polished black wood base, the artist's carved line has a soulful emotionality, meticulousness and, above all, life.

    Fišers has always been drawn to an intergalactic scale, and throughout his practice, he has maintained a juxtaposition of the cosmic system and the individual that is at times implicit but always present. By studying the evidence of past civilizations and cultures, Fišers has gained an insight into the enduring processes; a fundamental scheme of existence that accompanies humanity. The artist's system of visual images and the subjects depicted stimulate the viewer's interest in the role of the individual in the cosmic equation. Irony plays an important role in the treatment of these themes, helping to highlight the absurd and irrational nature of the underlying matrix without didacticism or moralizing. Irony offers lightness, while the galactic distance is great enough to raise the question: why are we unable to change this matrix?

    The exhibition invites the viewer to experience the Stories of the Blinded Alien, where the image and its title are equally important. The artworks presented allow for both empathizing with and distancing oneself from the protagonist, while at the same time delving into a cocktail of conspiracy theories and mysticism.